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world cinema

FOXTROT [ISRAEL], THU 7 NOVEMBER, 8PM

By archive, Season 21 films

A rallying cry against war that charts the story of an Israeli family who are forced to confront difficult truths when they receive shocking news from their son’s desolate military checkpoint.

Michael and Dafna Feldmann are told that their son Jonathan has died in the line of duty while serving in the Israeli army. As they come to terms with the news and prepare for the funeral, they’re informed that a horrifying mistake has been made. Meanwhile, we get a glimpse into Jonathan’s life manning an isolated checkpoint. He and his colleagues never know what will happen when a car pulls up to the barrier.

This film by Lebanese director Samuel Maoz is an extraordinary, complex drama that is both a visceral exploration of military life and an emotionally raw family drama. A source of controversy in its native Israel, Foxtrot is a film full of anger and sadness, and one that is as deeply personal as it is political.

Surrealism and slapstick combine in an unforgettable masterclass…Every single sequence in this controversial Israeli film is thrillingly unexpected.The Irish Times ★★★★★

Brilliantly constructed with a visual audacity that serves the subject rather than the other way around, this is award-winning filmmaking on a fearless level. – Variety

A sad, noble rallying cry against war.RTE.ie ★★★★★

Israel’s hottest export of the year lives up to the hype. an intricate, dazzling cinematic dance. – Los Angeles Times

Fascinating, funny, beautiful and truly profound. – Vanity Fair

Israel, 2017 | Language: Hebrew | 108 minutes | Cert: CLUB

Director: Samuel Maoz

Cast: Lior Ashkenazi, Sarah Adler, Yonatan Shiray, Karin Ugowski

LETO [SUMMER – RUSSIA], THU 14 NOVEMBER, 8PM

By archive, Season 21 films

A snapshot of youthful rebellion in the Russian underground music scene set during one summer in 1980s Leningrad. The provocative director was recently released after 20 months under house arrest.

Director Kirill Serebrennikov charts the rise to fame of the late Soviet rock pioneer Viktor Tsoi (played by Teo Yoo) in Leto [Summer], a freewheeling snapshot of youthful rebellion in the underground scene of 1980s Leningrad. Set to a soundtrack of classics from David Bowie to The Sex Pistols, and filmed in stunning black-and-white, Leto is a rock n’ roll musical like no other.

With Serebrennikov until recently detained under house arrest in Moscow, it is a comment on Russian state censorship of the arts that could not be more timely.

The New York Times on 8 April 2019:  Russia Frees Director After Nearly 20 Months of House Arrest  ST. PETERSBURG, Russia — A renowned Russian director was released on Monday by a court in Moscow after nearly 20 months of house arrest, in a financial fraud case that is widely seen by Russia’s intelligentsia as a test for artistic freedom…Kirill Serebrennikov, one of Russia’s leading stage and film directors, had been imprisoned in his apartment since August, 2017, after Russian investigators accused him of conspiring with three of his colleagues to embezzle 133 million rubles, or around $2 million, of government funds allocated to a theater festival…For many in Russia’s arts community, the charges were politically motivated and meant to punish Mr. Serebrennikov for his provocative work. The director is known for taboo-breaking productions that sit awkwardly with the traditional family values Russia’s government promotes, and which often make thinly veiled criticisms of life under President Vladimir V. Putin…Supporters saw the case against him as an attack on freedom of expression that signaled Mr. Putin’s determination to bring the arts to heel. – Click here to read the entire New York Times article.

A look back at Leningrad’s underground garage-rock scene is one gorgeous, grungy, achingly sad memory piece…The fact that Serebrennikov has made such an intoxicating, invigorating movie about freedom percolating under a past toxic regime while having his own rights trampled upon in the present makes the look back that much more ironic. But it doesn’t dilute the joy of experiencing it, one three-chords-and-the-truth number at a time.Rolling Stone ★★★★

A vibrant portrait of Leningrad’s underground ’80s rock scene… lovely, wistful, sometimes confusing and often captivating memory piece.The Los Angeles Times

Russia, 2018 | Language: Russian, English | 126 minutes | Cert: CLUB

Director: Kirill Serebrennikov

Cast: Teo Yoo, Irina Starshenbaum, Roman Bilyk

BIRDS OF PASSAGE [PÁJAROS DE VERANO – COLOMBIA], THU 21 NOVEMBER, 8PM

By archive, Season 21 films

An epic drama about marijuana trafficking in Colombia that digs deep into the culture of the indigenous people involved. Critics call it ‘a masterpiece…absolutely extraordinary…a genuine knock-out’.

From the creators of the Oscar-nominated Embrace of the Serpent, Ciro Guerra and Cristina Gallego’s astounding Birds of Passage is an epic, visually exquisite story about the origin of the Colombian drug trade, told through the perspective of a proud indigenous family.  It is the first Colombian film to receive an Oscar nomination for Best Foreign Language Film.

Guajira, Northern Colombia, 1970s. Wayuu tribe-member Zaida has come of age, leaving formidable matriarch Ursula with the important task of finding a suitable match. Her instincts warn her against young Rapayet, an ambitious man with strong links outside of the clan, but the word of a respected uncle carries weight, so she succeeds, setting an outrageous dowry. The seed sown, Rapayet stumbles onto a plan with two flamboyant friends to sell marijuana to a visiting American. It is the beginning of a profitable new enterprise.

As the family rises to prominence, Ursula becomes increasingly complicit in her son-in-law’s business dealings, insisting traditional honour codes are respected and observed. But the trappings of wealth and power soon incite a war that threatens to tear them and their ancient traditions apart.

Once in the bluest of moons, we encounter a freshly minted classic that feels as if it has been around forever…An epic work of folk, gangster and other-worldly cinema.The Irish Times ★★★★★

Startling and intriguing, it grafts quasi-ethnographic docudrama on to drug lord turf war epic. This is film-making that pushes the limits of storytelling and generic templates, and it’s brimming with images and ideas. – The Guardian ★★★★

An extraordinary, visually stunning crime drama.The Independent ★★★★★

Colombia, 2018 | Language: Spanish | 125 minutes | Cert: 15A

Directors:  Cristina Gallego, Ciro Guerra

Cast:  Carmiña Martínez, José Acosta, Natalia Reyes, Jhon Narváez, Greider Meza, José Vicente Cote

BALLOON [GERMANY], THU 28 NOVEMBER, 8PM

By archive, Season 21 films

Based on true events in East Germany, 1979. Two families resolve to build a homemade hot air balloon to escape the oppressive Cold War regime and carry them to freedom.  A nerve-racking battle against the clock begins.

Electrician Peter and his bricklayer friend Günther can no longer bear the oppressive Cold War regime under which they live and want to provide a better future for their families. The two men and their wives come up with a daring plan:  They resolve to secretly build from scratch a homemade hot-air balloon which will carry them and their families over the border to freedom.

They need favourable weather conditions to ensure that the balloon can transport them safely. But the Stasi has learned of a possible escape attempt and start to close in. The families may not be able to wait any longer to pull off their dangerous plan.  A nerve-racking battle against the clock begins.

Based on true events, Michael Herbig’s thrilling drama recreates this incredible story.

Germany, 2018 | Language: German | 125 minutes | Cert: CLUB

Director: Michael Herbig

Cast: Friedrich Mücke, Karoline Schuch, Alicia von Rittberg, David Kross

THE SHINY SHRIMPS [LES CREVETTES PAILLETÉES – FRANCE], THU 5 DECEMBER, 8PM

By archive, Season 21 films

When an Olympic swim champion uses a homophobic slur on TV, his career is put on hold. To make amends he must coach an amateur gay water-polo team. Dealing with themes of acceptance and understanding, this feel-good film is bursting with joy.

Matthias thinks he can somehow get out of serving his punishment but while training the team, he begins to warm to the motley crew. As they prepare to compete at the Gay Games in Croatia, The Shrimps teach Matthias the joy of team sports and he ignites the fire of ambition and a desire to win in each of them.

The Shrimps are a real-life LGBT water-polo team from Paris, and their adventures as seen in the film are a blend of fact, fantasy and flamboyance – think ‘Dodgeball’ meets ‘Priscilla, Queen of the Desert’.Sky Sports

France, 2019 | Language: French | 100 minutes | Cert: CLUB

Directors: Maxime Govare, Cédric Le Gallo

Cast: Nicolas Gob, Alban Lenoir, Geoffrey Couët, Michael Abiteboul

A short Irish film, Rosemary [13 minutes], will be shown before the feature.

FÉLICITÉ [FRANCE, BELGIUM, SENEGAL], THU 1 FEBRUARY, 8PM

By archive, Season 18 films

A heroic central performance from the Congolese actress Véro Tshanda Beya Mputu is reason alone to see this gripping drama.

Franco-Senegalese film-maker Alain Gomis has created a film portrait in an ambient social-realist style, showing us a woman called Félicité: a bar singer in the tough streets of Kinshasa in the Democratic Republic of the Congo. Gomis leaves it up to us to determine the precise level of irony in her name.

Véro Tshanda Beya Mputu is a formidable presence as Félicité, a single mum of a tearaway teen boy Samo (Gaetan Claudia), for whom she must stay strong. She is scratching a living with her music, evidently bruised and humbled by the reverses of her life, drifting into a relationship with Tabu (Papi Mpaka), the boozy, unreliable guy who once came to repair her fridge.

Then her son has a motorbike accident and the hospital needs a million Congolese francs (about £500) before surgery can be carried out. Félicité must now go around to the people in her life asking variously for loans, or the money that she is owed – a process that exposes the fault lines in her own life. This is interspersed with scenes of her singing with her band and also, mysteriously but arrestingly, the Kinshasa Symphony Orchestra playing pieces by Arvo Pärt.

Cinematographer Céline Bozon contrives tremendous streetscape scenes around Kinshasa itself. It’s a film with seriousness and compassion, though a little lengthy and diffuse. Dramatic storm clouds gather and pass overhead without ever quite bursting into rain. – Peter Bradshaw in The Guardian

Click here to read the New York Times Critic’s Pick review.

96% approval rating from Rotten Tomatoes.

Click here for official website.

France, Belgium, Senegal, Germany, Lebanon, 2017 |Language: Lingala, French | 123 minutes | Cert: CLUB

Director:  Alain Gomis 

Cast:  Véro Tshanda Beya Mputu, Gaetan Claudia, Papi Mpaka

 

GOLDSTONE [AUSTRALIA], THU 8 FEBRUARY, 8PM

By archive, Season 18 films

A masterpiece of outback noir that packs a political punch.

Rugged, Indigenous Australian detective Jay Swan is arrested for drunk-driving by rookie local policeman Josh on the desolate road into the mining town of Goldstone. Jay is investigating the disappearance of a Chinese migrant worker, and while Josh is initially reluctant to help on the case, when it becomes apparent that something more sinister is happening in the area, the two men must overcome their differences and work together.

Australian director Ivan Sen’s follow-up to 2013’s Mystery Road is a complex, stylish and tense western that explores Australia’s history, whilst dealing with key contemporary issues. Like its predecessor, Goldstone is intelligent and thought-provoking cinema.

Writer/director Ivan Sen has combined two genres uncommon to Australia, to deliver one classic film no Australian should miss. ★★★★★ – The Guardian

Sen’s unique accomplishment, unequalled in contemporary Aussie cinema, is his daringly idealistic intention and crystal clear success at balancing the demands of contemporary genre filmmaking with, in this case, the ongoing hot-button issues of Aboriginal relations (Sen is himself of mixed Indigenous/European heritage), human trafficking, the human greed behind corporate corruption and cultural destruction. – read the complete Variety review

Click here to read The Australian review.

Australia, 2016 |Language: English | 110 minutes | Cert: CLUB

Director: Ivan Sen

Cast: Aaron Pedersen, Alex Russell, Pei Pei Cheng, David Gulpilil, David Wenham, Jacki Weaver

Please note there is no film on 15 February.

ROSALIE BLUM [FRANCE], THU 22 FEBRUARY, 8PM

By archive, Season 18 films

A sweet but never saccharine French comedy about three misfits who bring out the best in each other.

Julien Rappeneau’s enchanting directorial debut is a warm, witty and impeccably performed comedy about a random encounter that has unexpected and far-reaching consequences. Thirty-something Vincent Machot is a hairdresser whose life rotates around work, his overbearing mother and a womanising cousin constantly trying to set him up. But one morning Vincent experiences a powerful déjà-vu when he meets the gaze of a grocery store clerk, Rosalie Blum.

And so begins a search to uncover the truth behind their connection. With its themes of altruism, forgiveness and the value of compassion, Rosalie Blum is a timely reminder of the best that French cinema has to offer.

Based on the graphic-novel trilogy by French artist Camille Jourdy.

Presented with the support of the French Embassy and the Institut Français. 
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A joy! Fresh and engaging.  A feel-good film which combines humour and eccentric touches with surges of genuine emotion. Light and life-affirming.Hollywood Reporter

Click here for official website.

France, 2016 | Language: French | 95 minutes | Cert: CLUB

Director:  Julien Rappeneau

Cast:  Noémie Lvovsky, Kyan Khojandi, Alice Isaaz, Sara Giraudeau

A short Irish film, Nice Night For It, will be shown before the feature.

MIMOSAS [MOROCCO], THU 1 MARCH, 8PM

By archive, Season 18 films

***CANCELLED***  ST. JOHN’S COLLEGE IS CLOSED ON THU 1 MARCH DUE TO WEATHER CONDITIONS. THIS SCREENING IS CANCELLED.

Winner of the Critics Week Grand Prize at the Cannes Film Festival.

Oliver Laxe’s stunning new filmis a breathtakingly-shot Western that follows a mysterious caravan as it escorts an elderly and dying Sheikh trough the Moroccan Atlas Mountains. His last wish is to be buried with his loved ones. But death does not wait.

Without their leader, the company grows fearful. And at the foot of a mountain pass, they refuse to continue, entrusting the body to two men who agree to carry on and bring it to its final destination. But who are these men? And do they really know the way?

In another world, a mysterious young man is chosen to find the caravan.

Click here to watch interview with director Oliver Laxe.

Click here for The Guardian review.

Click here for Little White Lies review.

Click here for official website.

Spain, Morocco, France, Qatar, 2016 | Language:  Arabic, Galician | 96 minutes | Cert: CLUB

Director/Writer:  Oliver Laxe

Cast:  Ahmed Hammoud,  Shakib Ben Omar,  Said Aagli

A short Irish film, The Tatoo [15 minutes], will be shown before the feature.

LOVELESS [RUSSIA], THU 8 MARCH, 8PM

By archive, Season 18 films

Russian director Andrei Zvyagintsev has produced another masterpiece in this apocalyptic study of a failed marriage and the subsequent disappearance of a child.  ★★★★★ The Guardian

The latest from the director of Leviathan profiles a family torn apart by a vicious divorce, in which the parents are more interested in starting their lives over with new partners than tending to their 12-year-old son.

Among the snowy high-rises of modern Moscow lives stocky salesman Boris and Zhenya, a youthful salon owner. Having migrated to shiny new partners, the couple’s relationship is coming to a bitter end and the fate of their 12-year-old son Alyosha is the last thing on their minds. When Alyosha goes missing without a trace, his parents can barely grieve in unison.

This pristine and merciless new film begins out in the cold, and its temperature just keeps dropping from there. ★★★★★ – The Telegraph

Living in Russia is like being in a minefield. – Read The Guardian interview with the director

LOVELESS – Nelyubov

Russia, 2018 | Language: Russian | 127 minutes | Cert: CLUB

Director:  Andrey Zvyagintsev

Cast:  Maryaha Spivak, Aleksey Rozin, Varvara Shmykova