Mohamed Diab brings claustrophobic intimacy to a historic moment in this stunning thriller, set inside a police vehicle during Egypt’s 2013 street protests.
“The Egyptian revolution that dislodged Hosni Mubarak in 2011 and its chaotic aftermath continues to give us some fascinating films. Here is the latest, a rather amazing New Wave-style drama that combines claustrophobic intimacy with some logistically epic scene-setting.
The year is 2013, the army has just unseated Mohamed Morsi’s Muslim Brotherhood, and pro-army and pro-MB factions clash on the streets. A reporter and photographer are arrested and thrown into the back of a police van, which is the sole camera setting; soon, other demonstrators from both sides are chucked in – along with, in one particularly chaotic scene, a lenient cop. They are crowded in there for hours in the boiling heat with no water and a plastic bottle to pee in. Through the grille-meshed window they get glimpses of the turmoil on the city streets.
At first, it looks like a no-budget movie with about a dozen people shot in a single location, but the director, Mohamed Diab, stages some spectacular riot scenes outside, which are all the more staggering for intruding on this enclosed space so unexpectedly.
The movie stunningly replicates that sense of inside and outside that must be felt by witnesses to any historic moment: the private debate, the enclosed conflict, and the theatre of confrontation unfolding beyond. What a dynamic piece of cinema.” – Peter Bradshaw The Guardian
‘Bravura film-making with a kick-in-the-gut message about chaos and cruelty.’ – Variety
‘Director Mohamed Diab won’t let us pick sides in this prize-winning drama which is thick with tension.’ – ★★★★ The Evening Standard
ESHTEBAK | Egypt, 2017 | Language: Arabic | 97 minutes | Cert: CLUB
Director: Mohamed Diab
Cast: Nelly Karim, Hani Adel, El Sebaii Mohamed
A short Irish documentary, The Truth About Irish Hip Hop, about the rise of hip hop in Ireland and the changing attitudes towards the once foreign art form, will be shown before the feature. Director: Gavin FitzGerald