{"id":42,"date":"2011-01-14T20:00:22","date_gmt":"2011-01-14T20:00:22","guid":{"rendered":"http:\/\/corkcineclub.com\/?p=42"},"modified":"2015-08-31T13:36:54","modified_gmt":"2015-08-31T13:36:54","slug":"beauty-thu-8-november-8pm","status":"publish","type":"post","link":"https:\/\/corkcineclub.com\/2011\/01\/beauty-thu-8-november-8pm\/","title":{"rendered":"BEAUTY – Thu 8 November, 8pm"},"content":{"rendered":"[vc_row][vc_column width=”1\/2″][vc_column_text]\n

Beauty\u00a0\u00a0| \u00a0Skoonheid<\/h4>\n

Director: Oliver Hermanus\u00a0\u00a0 | \u00a0\u00a0South Africa 2011 \u00a0 | \u00a0 98 mins \u00a0 |\u00a0\u00a0Cert:CLUB<\/h4>\n

Starring: Deon Lotz, Charlie Keegan and Michelle Scott<\/h4>\n

Language: Afrikaans\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/h4>\n

Beauty opens with a tracking shot through a wedding reception until the camera eventually stops to linger on a good-looking young man. The point of view is that of the father of the bride, Fran\u00e7ois (Deon Lotz). The young man is Christian, the son of Fran\u00e7ois\u2019 oldest friend.<\/p>\n

Typical of a sub-section of men who came of age during Apartheid, Fran\u00e7ois is internally angry and overtly racist and homophobic, holding on to his power as a white South African male through the success of his business. But he has a secret. He regularly attends orgies with a group of similarly closeted middle-aged guys.<\/p>\n

The voyeurism of the opening scene evolves as Fran\u00e7ois begins to stalk Christian, gazing in on his relatively carefree life, unshackled by South Africa\u2019s past. With a minimal script and long shots, director Hermanus enters Fran\u00e7ois\u2019 quiet desperation as it slowly turns to frustration, finally unshackling the rage at the heart of his alienation.<\/p>\n

Much of the film focuses on Fran\u00e7ois\u2019 unchanging expression, which doesn\u2019t give Lotz a lot to play with as an actor. Still he turns in a powerhouse performance, at once tense, heart-rending and repulsive in a devastating film that uses sexuality as a metaphor for South Africa\u2019s fractured dysfunction. – Brian Finnegan, Editor of GCN<\/p>\n

Read Variety review.<\/a><\/strong><\/em>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]