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French film

THE SHINY SHRIMPS [LES CREVETTES PAILLETÉES – FRANCE], THU 5 DECEMBER, 8PM

By archive, Season 21 films

When an Olympic swim champion uses a homophobic slur on TV, his career is put on hold. To make amends he must coach an amateur gay water-polo team. Dealing with themes of acceptance and understanding, this feel-good film is bursting with joy.

Matthias thinks he can somehow get out of serving his punishment but while training the team, he begins to warm to the motley crew. As they prepare to compete at the Gay Games in Croatia, The Shrimps teach Matthias the joy of team sports and he ignites the fire of ambition and a desire to win in each of them.

The Shrimps are a real-life LGBT water-polo team from Paris, and their adventures as seen in the film are a blend of fact, fantasy and flamboyance – think ‘Dodgeball’ meets ‘Priscilla, Queen of the Desert’.Sky Sports

France, 2019 | Language: French | 100 minutes | Cert: CLUB

Directors: Maxime Govare, Cédric Le Gallo

Cast: Nicolas Gob, Alban Lenoir, Geoffrey Couët, Michael Abiteboul

A short Irish film, Rosemary [13 minutes], will be shown before the feature.

JUST TO BE SURE [OTEZ-MOI D’UN DOUTE – FRANCE], THU 31 JANUARY 8PM

By archive, Season 20 Films

The breakout French hit of the 2017 Cannes International Film Festival, where it premiered to multiple, raucous standing ovations, writer/director Carine Tardieu’s charming romantic comedy is a winning tale of parenthood, love and family, both lost and found.

When lonely 45-year-old widower Erwan discovers by accident that that man who raised him isn’t his real father, he begins a search for his biological one. Thanks to a local private detective he soon locates the mischievous, 70-something Joseph, whom it seems his mother may have known briefly. Erwan soon falls not only for his charm, but that of the impetuous Anna, who has ties to them both. But the conflicting loyalties become compounded by the pregnancy of his own daughter who defiantly refuses to name the father.  Soon Erwan’s families begin to collide, to unexpected, hilarious and moving effect.

Offering a terrific showcase for her brilliant cast, director Carine Tardieu skillfully weaves a wholly-entertaining exploration of love, coincidence and human connection. Few films manage to pluck both the heartstrings and the funny bone.  It’s a delight.

Light-hearted, sharp and funny, the kind of French comedy that doesn’t come around so often nowadays. – The Hollywood Reporter

The comedy favourite of Cannes. Invigorating and intelligent. -Le Parisien  ★★★★★

Beautiful, touching and hilarious. This film will move you. – Elle Magazine ★★★★

France, 2017 | Language: France | 100 minutes | Cert: CLUB

Director:  Carine Tardieu

Cast:  Francois Damiens, Cecile De France, Guy Marchand, Andre Wilms, Alice de Lencquesaing

Presented with the support of the French Embassy and the Institut Français.

C’EST LA VIE! [FRANCE], THU 14 FEBRUARY, 8PM

By archive, Season 20 Films

A relentlessly hilarious comedy about a wedding planner, it hits the ground running and barely takes a breath as wedding disaster after disaster unfold. Larger-than-life characters and laugh-out-loud set pieces make it a delight.

Max is a veteran wedding planner who is thinking about selling on his business. For now, however, there’s something more pressing to worry about: organising a lavish wedding in a 17th century chateau. It’s no small task, with dozens of people to manage, unreliable electricity, a last-minute musician change, and an increasingly demanding groom. Soon, things start going very wrong indeed. Can Max and his team sort everything out without the guests noticing?

Few films this year will provide as much sheer joy as this bubbly, charming and relentlessly hilarious jog around an arena we’re all familiar with. The ensemble cast has great fun with a dotty assortment of characters, every one of which is put to delightful use.Irish Independent ★★★★

A cluttered comedy that works like a charm.The Irish Times★★★

France, 2017 |Language: French | 117 minutes | Cert: CLUB

Directors:  Olivier Nakache, Éric Toledano  

Cast: Jean-Pierre Bacri, Gilles Lellouche, Jean-Paul Rouve, Eye Haidara

 

SHOPLIFTERS [JAPAN], THU 7 MARCH, 8PM

By archive, Season 20 Films

We’ve had massive audiences this season and have had to turn people away.

Anticipating huge interest in the two upcoming films that have been nominated for

the Academy Award for Best Foreign Language Film [among other awards]

and to avoid further disappointment, we have added screenings for these films:

Shoplifters [Japan], Thursday 7 March at 5:45pm and 8pm.

Box office for first screening opens at 5:15pm.

Winner of the Palme d’Or at Cannes 2018.  A drama of rare complexity and quality about the forces holding a struggling family together, it reveals a Japan rarely seen. 

A masterpieceThe Irish Times ★★★★★

On the margins of Tokyo, a dysfunctional band of outsiders are united by fierce loyalty, a penchant for petty theft and playful grifting. When the young son is arrested, secrets are exposed that upend their tenuous, below-the-radar existence and test their quietly radical belief that it is love—not blood—that defines a family.

A film by Kore-Eda Hirokazu, the director of Still Walking, Like Father, Like Son and Nobody Knows.

A film of rare depth and quality that explores the meaning of family, and suggests that real parenthood is not given, but earned.The Guardian ★★★★

Kore-eda’s great subject is the contemporary family, a topic that gives him an immensity of themes, including loss, love, class, alienation in the modern world…a perfect story about being human.The New York Times

Japan, 2017 | Language:  Japanese | 121 minutes | Cert: 15A

Director:  Hirokazu Koreeda

Cast:  Kirin Kiki, Lily Franky, Moemi Katayama

 

JEUNE FEMME [FRANCE], THU 27 SEPTEMBER, 8PM

By archive

A superbly sympathetic and spikily comedic portrait of a rudderless young woman in search of an identity.  She’s determined to make a new start with style. 

Winner, Camera d’Or for best first feature film, Cannes Film Festival 2017.

Broke, with nothing but her cat to her name and doors closing in her face, Paula is back in Paris after a long absence. As she meets different people along the way, there is one thing she knows for sure: she’s determined to make a new start – and she’ll do it with style and panache.

Director Léonor Serraille deservedly scooped the Camera d’Or prize at the 2017 Cannes Film Festival for this debut feature. Jeune Femme impresses with it sheer vivacity and the powerhouse central performance of actress Laetitia Dosch as Paula provides the wild heart of the film. This is cinema that is funny, moving and hugely invigorating.

Comedy with a soaring, free-spirited lead…A white-knuckle sense of emotional freefall powers every fraught scene.The Irish Times ★★★★

Laetitia Dosch dazzles in Léonor Serraille’s debut feature as a young Parisian woman struggling to work out who she is.The Guardian ★★★★

The film plays like an assured American comedy with its quick-fire pacing and conventional, redemptive arc. But the film is pure French in its tone and atmosphere. – Little White Lies, Cannes Film Festival 2017

France, 2017 |Language: France | 98 minutes | Cert: 15

Director:   Léonor Serraille

Cast:  Laetitia Dosch, Souleymane Seye Ndiaye, Grégoire Monsaingeon

CUSTODY [JUSQU’À LA GARDE – FRANCE], THU 8 NOVEMBER, 8PM

By archive, Season 19 films

This heart-stopping, award-sweeping debut feature charts a family’s struggles with the fallout of divorce. 

After a bitter divorce, Miriam and Antoine battle for sole custody of their son, Julien. Miriam claims the father is violent but lacks proof. Antoine accuses her of manipulating their son for her own ends. Both sides seem to be hiding something – the truth is buried in deceit and jealousy. Julien becomes a pawn in a tense conflict that brings the family’s fraught past to light.

Winner of prestigious awards at the 2017 Venice Film Festival, including the Silver Lion for best director, Custody is a gripping, tension-filled drama that heralds a stunning new cinematic voice in Xavier Legrand. His mastery of building suspense, supported by exceptional performances, makes this one of the must-see films of 2018.

A time-bomb of a film that crackles with intense emotional involvement. – LA Times

Hurtling drama of a horrific boyhood…Xavier Legrand’s portayal of domestic violence is a singular debut.The Irish Times ★★★★★ 

Terror tactics and fury blaze in an electric debut.The Telegraph ★★★★★ 

A portrait of a marriage made in hell.The Guardian ★★★★

France, 2017 |Language: French | 94 minutes | Cert: 15A

Director: Xavier Legrand

Cast: Léa Drucker, Denis Ménochet, Thomas Gioria

A short Irish film, An Island [13 minutes] will be shown before the feature.

 

FÉLICITÉ [FRANCE, BELGIUM, SENEGAL], THU 1 FEBRUARY, 8PM

By archive, Season 18 films

A heroic central performance from the Congolese actress Véro Tshanda Beya Mputu is reason alone to see this gripping drama.

Franco-Senegalese film-maker Alain Gomis has created a film portrait in an ambient social-realist style, showing us a woman called Félicité: a bar singer in the tough streets of Kinshasa in the Democratic Republic of the Congo. Gomis leaves it up to us to determine the precise level of irony in her name.

Véro Tshanda Beya Mputu is a formidable presence as Félicité, a single mum of a tearaway teen boy Samo (Gaetan Claudia), for whom she must stay strong. She is scratching a living with her music, evidently bruised and humbled by the reverses of her life, drifting into a relationship with Tabu (Papi Mpaka), the boozy, unreliable guy who once came to repair her fridge.

Then her son has a motorbike accident and the hospital needs a million Congolese francs (about £500) before surgery can be carried out. Félicité must now go around to the people in her life asking variously for loans, or the money that she is owed – a process that exposes the fault lines in her own life. This is interspersed with scenes of her singing with her band and also, mysteriously but arrestingly, the Kinshasa Symphony Orchestra playing pieces by Arvo Pärt.

Cinematographer Céline Bozon contrives tremendous streetscape scenes around Kinshasa itself. It’s a film with seriousness and compassion, though a little lengthy and diffuse. Dramatic storm clouds gather and pass overhead without ever quite bursting into rain. – Peter Bradshaw in The Guardian

Click here to read the New York Times Critic’s Pick review.

96% approval rating from Rotten Tomatoes.

Click here for official website.

France, Belgium, Senegal, Germany, Lebanon, 2017 |Language: Lingala, French | 123 minutes | Cert: CLUB

Director:  Alain Gomis 

Cast:  Véro Tshanda Beya Mputu, Gaetan Claudia, Papi Mpaka

 

ROSALIE BLUM [FRANCE], THU 22 FEBRUARY, 8PM

By archive, Season 18 films

A sweet but never saccharine French comedy about three misfits who bring out the best in each other.

Julien Rappeneau’s enchanting directorial debut is a warm, witty and impeccably performed comedy about a random encounter that has unexpected and far-reaching consequences. Thirty-something Vincent Machot is a hairdresser whose life rotates around work, his overbearing mother and a womanising cousin constantly trying to set him up. But one morning Vincent experiences a powerful déjà-vu when he meets the gaze of a grocery store clerk, Rosalie Blum.

And so begins a search to uncover the truth behind their connection. With its themes of altruism, forgiveness and the value of compassion, Rosalie Blum is a timely reminder of the best that French cinema has to offer.

Based on the graphic-novel trilogy by French artist Camille Jourdy.

Presented with the support of the French Embassy and the Institut Français. 
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A joy! Fresh and engaging.  A feel-good film which combines humour and eccentric touches with surges of genuine emotion. Light and life-affirming.Hollywood Reporter

Click here for official website.

France, 2016 | Language: French | 95 minutes | Cert: CLUB

Director:  Julien Rappeneau

Cast:  Noémie Lvovsky, Kyan Khojandi, Alice Isaaz, Sara Giraudeau

A short Irish film, Nice Night For It, will be shown before the feature.

THE MIDWIFE [FRANCE], THU 28 SEPTEMBER, 8PM

By Season 17 films

A tale of two Catherines.

Director Martin Provost (Violette, Seraphine) unites two of France’s favourite actors in his tender comedy drama about female friendship and rediscovery.  Catherine Deneuve and Catherine Frot play very different women whose shaky reconnection after a number of decades allows them to learn valuable life lessons from one another. Claire (Frot) is the conscientious Midwife of the title, a single mother whose reservations and self-restraint have left her living an isolated life.   Until the day her deceased father’s ex-girlfriend makes contact.  Beatrice (Deneuve) is a free-spirited, professional gambler who wishes to reconnect with Claire’s father.  Shocked at the news that he has passed away, she implants herself into Claire’s life instead, bringing chaos, joy and memories of happier times.

‘A bittersweet delight…rich, thoughtful, frequently funny.’ – Screen International

‘Offering plum roles to Catherine Frot and Catherine Deneuve…a crowd-pleaser about friendship, forgiveness and rolling with the punches.’ – Indie Wire

‘Provost has once again proven to be a sensitive and sure-handed director of what used to be called “women’s films,” with this one somewhat of a cross between Douglas Sirk and the Dardennes.’ – The Hollywood Reporter

‘Deneuve and Frot excel as contrasting women with an account to settle in a tale that combines realism and melodrama.’ – ★★★★ The Guardian

SAGE FEMME | France, 2017 | Language: French | 117 minutes | Cert: 15A

Director: Martin Provost

Cast: Catherine Deneuve, Catherine Frot, Olivier Gourmet

SCRIBE [BELGIUM, FRANCE], THU 12 OCTOBER, 8PM

By archive, Season 17 films

Some things cannot be unheard.

Duval (François Cluzet – The Intouchables, Little White Lies) is a recovering alcoholic struggling to find a job. One day, the mysterious Clement (Denis Podalydès) offers him a high-paying job transcribing tape recordings. After taking up the unusual offer, Duval quickly finds himself in morally and legally dubious territory. He reluctantly becomes embroiled in a shadowy world of paranoia, political scandal, and ultimately violence.

Embracing the spirit of 1970s conspiracy thrillers like The Conversation, Scribe is a taut, moody thriller that feels endearingly old school. From the mysterious setup to the life-or-death climax, this is an affectionate homage that also updates the classics to reflect the seedy underbelly of modern politics.

LA MÉCANIQUE DE L’OMBRE | France, 2016 | Language: French | 88 minutes | Cert: CLUB

Director: Thomas Kruithof

Cast: François Cluzet, Denis Podalydès, Sami Bouajila

A short Irish film, January Hymn [12 minutes], will be shown before the feature. A reflection on the intangible experience of grief, January Hymn sees Clara return home for the first anniversary of her father’s death.  Director: Katherine Canty